Image&Word

The MAD-faculty (KHLim and PHL) is one of the organizers of the 4th Screenwriting Research Network Conference on 8, 9 and 10 September 2011, in Brussels. “Beyond Boundaries: Screenwriting Across Media” is the topic of this fourth conference.

We would like to invite submissions on (but not limited to) these topics:

- Screenwriting history research (and archiving)
- Theorizing screenwriting and the screenplay
- Rethinking screenwriting in intercultural perspective
- New approaches to developing the screen idea

• Non-linguistic screenplays (video-art, comics, etc.)
• Writing for television: tv-series nowadays seem to be the avant-garde of narrative experimentation
• Transmedial scriptwriting: coping with medium-specific features
• Screenwriting for animation; how it differs from traditional screenwriting

- Pedagogics of screenwriting: can it be taught? And how? Also: practice as research and how to teach screenwriting theory and practice within an academic or practice based contex
- How theory and practice of screenwriting can collaborate for better screenwriting: panel (meeting/discussion) between theoreticians and practitioners

Confirmed keynote speakers:

- David Bordwell (University of Wisconsin-Madison)
- Steven Price (Bangor University)
- Marida di Crosta (Université Jean Moulin Lyon 3)

Read more about the Screenwriting Research Network or the entire call for papers (Word document).

On Saturday, November 13, amidst torrents of rain water gushing down the hilly streets of the Brussels upper town I&W researcher Tom Lambeens and his accomplices Sebastien Conard and Jan Op De Beeck launched their new journal entitled Aambacht. The occasion was the finissage of the exhibition ‘Toegepast: Fit to boost’ organised by Desig Platform Limburg in the gallery of Design Vlaanderen. The production by IMPRIMITIV, Lambeens’, Conard’s and Op De Beeck’s collective non-profit organisation, was – to say the least – an outsider in a gallery filled with design objects. It cannot be denied though, that this is what Aambacht aspires to be: an outsider journal targeted at a niche reader- and – important to stress in this case – spectatorship

Exhibiting Europe. The Development of European narratives in museums, collections, and exhibitions

Oslo, Interkulturelt Museum/ Intercultural Museum, 7-9 April 2011

Europe is more than the EU. However, without the evolution of the present-day EU there would not be the same extensive literature on subjects like Europeanization, conceptualizing cultural processes in the framework of the political and economic integration; on ‘building Europe’, comparing integration critically to nation-building processes of the nineteenth century; or even on European cosmopolitism, contextualizing the same process in the light of European modernity.
Especially the disciplines of Social Anthropology, Cultural and Museum Studies and Contemporary History have identified the ongoing and contested Europeanization as an important field of analysis.

This conference aims to bring these disciplines together, linking research on processes of integration, musealisation and Europeanization. Any museum representing the history and histories of European integration has the inherent potential to be an important forum for defining a common European heritage and Europeanness not as a national, but as a trans- and supranational culture and identity.
The conference will therefore ask if and how discourses on Europeanization are put on display. How do they manifest themselves in permanent and temporary exhibitions? How do they affect the planning of new museums or transform the policies of existing ones? Hence, the economic, political and cultural integration processes largely driven by the European Union will be addressed from three complementary academic perspectives at the conference in Oslo in April 2011.
Structured in three panels – ‘Centre and Periphery’, ‘Biographies’ and ‘Objects and Collections’ – this conference will bring together experts from all over Europe and explore the ongoing production of a European narrative and heritage in the museal field.

In an attempt to unveil the “exhibitionary complex” (Tony Bennett) inherent in Europeanization, we invite contributions from both scholars based on their theoretical and empirical work and from practitioners with a theoretical interest. With this aim, proposals on the three topics described below will be considered:

Centre and Periphery. Current research in the social sciences and especially in anthropology turns its attentions to the peripheries of the European Union where migrants creatively make use of and quickly adapt to whatever national or EU border control imposes on them in order to find their way through or alongside complex administrative procedures. Recent literature has even attributed them a role as ‘driving forces’ of Europeanization, as they bring issues of citizenship and human rights to the fore (Römhild 2009), as they unintentionally embody a European cosmopolitanism (Beck 2004) or expose Europeanization as a specific configuration within globalization (Delanty 2005, 2006). In doing so, the peripheries turn out to become vital centres of Europeanization. This panel wants to relate this empirical and epistemological shift to the museum field:
is there such a thing as a peripheral museal gaze on Europe – and how is it represented through displays in both museums and temporary exhibitions?

Biographies. Putting ‘Europe’ in a nutshell, it is tempting to choose a biographical approach. Thus, narratives of European integration history can draw upon the myth of the ‘founding fathers’, their life stories and political achievements. At the same time, individual citizens can be employed to explicate European as transnational identity by telling stories about their intercultural experiences as migrants and students. Moreover, the increasingly all-pervasive use of eyewitnesses in museums constitutes a form of biographical representation strategy for creating European narratives. Finally, the changing, possibly more ‘European’ biographies of academics and museum practitioners engaged in creating new and revising older museums and exhibitions may well impact on the narrative contents and representational modes in museums across Europe.

Objects and Collections. The question of which narrative of Europe can be told and which histories of the continent can be displayed in the future is dependent on the simple fact that specific objects have been collected. Thus, the musealisation of Europe depends on the collection of Europe. The field of collections and collection policies is a highly contested domain, however, as the great collection phase of museums is not only over, but also critically reflected as part of a hegemonic cultural practice of the 19th and 20th century. Today, the authority of the single object is challenged by the ongoing digitisation and the idea of a museum without objects as well as the single institutions are challenged by the ‘cancer’ (Tomislav Sola) of an ever-growing collection. The panel welcomes proposals that deal with the idea of a European collection (also digital) or analyse those processes and institutions that re-define single objects and/ or collections in a setting of European values and meaning.

The proposals (around 300 words in a word or rtf document) should be submitted to all three members of the organising committee, together with the prospective paper-giver‘s CV, by October 15th 2010. Feedback will be given by the end of November 2010 at the latest. The organisation will cover participants’ travel and accommodation expenses for the whole duration of the conference. The working language is English.

We plan to publish the best fully revised papers from the conference in a special journal issue of the peer-reviewed journal Culture Unbound in the autumn of 2011.

Wolfram Kaiser, wolfram.kaiser@online.de

Stefan Krankenhagen, stefan.krankenhagen@ntnu.no

Kerstin Poehls, kerstin.poehls@culture.hu-berlin.de

Exhibiting Europe is financed by the Norwegian Research Council within its cultural program ‘Assigning Cultural Values’. It is hosted by the Norwegian University of Science and Technology in Trondheim, collaborating with the Centre for European and International Studies Research of the University of Portsmouth and the Institute for European Ethnology at Humboldt University, Berlin.
For detailed information see: http://www.ntnu.edu/ifs/research/exhibiting

CFP: 2011 Narrative Conference (7-10 April, 2011; sponsored by Washington University in St. Louis and the International Society for the Study of Narrative)

The 2011 Narrative Conference is sponsored by Washington University in St. Louis and the International Society for the Study of Narrative and will be held in St. Louis, Missouri, April 7-10, 2011. The Narrative Conference is an interdisciplinary forum addressing all dimensions of narrative theory and practice. We welcome proposals for papers and panels on all aspects of narrative in any genre, period, discipline, language, and medium. Deadline for receipt of proposals: October 30, 2010.

Proposals for individual papers:
Please provide the title and a 300-word abstract of the paper you are proposing; your name, institutional affiliation, and email address; and a brief statement (no more than 100 words) about your work and your publications.

Proposals for panels:
Please provide a 700-word (maximum) description of the topic of the panel and of each panelist’s contribution; the title of the panel and the titles of the individual papers; and for each participant the name, institutional affiliation, email address, and a brief statement (no more than 100 words) about the person’s work and publications.

Please send proposals by email in PDF, Word, or WordPerfect to:
narrative.conference@wustl.edu
.

For further information please contact Emma Kafalenos at emkafale@artsci.wustl.edu or Erin McGlothlin at mcglothlin@wustl.edu or visit http://narrative.wustl.edu. For a flyer of this Call for Papers, please go to:

http://narrative.wustl.edu/media/Flyer_final-6-25.pdf.